Moirae Moss

14 July 2026, 3 min read

10 Unexpected Textures for Gel Plate Printing

The gel plate is an incredible tool for capturing the hidden textures of the world around us. When it comes to building rich, grungy, and abstract layers, the best tools are rarely found in an art supply store. From the delicate threads of vintage lace to the harsh lines of corrugated cardboard and mesh fruit bags, ordinary materials can completely transform a piece. Today, I'm sharing 10 of my absolute favorite unconventional items to build striking depth, spontaneous patterns, and unique character in my gel prints.

A flat-lay of four gel plate monoprints - purple with stripes and lace, navy with white flower bursts, teal with a raised damask pattern and deep red with a seed pod and lace - surrounded by vintage lace, medical gauze, corrugated cardboard, bubble wrap and a hand-painted peacock feather.

1. Lace and Textured Fabrics

This is easily one of my favorite and most frequently used materials in my creative practice. A piece of vintage lace can instantly transform a simple color background into a complex, romantic piece filled with rich ornamentation.

2. Corrugated Cardboard

One of my absolute favorite techniques is using pieces of cardboard - specifically the exposed, ribbed inner layer of shipping boxes. You can use it like a stamp, pressing it vertically, horizontally, or even cross-hatching the lines to create a complex, geometric, and highly abstract effect.

A purple gel print stacking three textures - bold cardboard stripes across the top, delicate floral lace through the middle and crumpled medical gauze below - beside inked plates carrying a swirling rose pattern.

3. Bubble Wrap

I adore using bubble wrap in my work! It comes in various bubble sizes and is an incredibly versatile material that instantly breaks up flat areas of color, adding a perfect geometric contrast to more organic shapes.

4. Medical Gauze

Gauze is an extremely adaptable and forgiving material. I highly recommend distorting it before placing it down - stretch it out, pull some holes into it, and let the loose threads fray. Embracing this chaotic, deconstructed look adds a wonderful grunge and abstract feel to the print.

A teal gel print combining lace, dotted bubble-wrap texture and a raised damask motif, next to a magenta print half-covered by a length of loose medical gauze.

5. Mesh Fruit Bags

Don't throw away the mesh bags from lemons or garlic! They are fantastic for creating a honeycomb or grid-like effect on the gel plate. They stretch easily and make an amazing, subtle background texture.

6. Crinkled Rice Paper

While any type of paper can yield interesting results, crinkled rice paper is pure magic. When you fold, crumple, and press it onto the plate, it creates beautiful, organic creases that mimic cracked earth or delicate marble veins.

Warm rust and orange gel prints capturing the crinkled, marble-like veining of pressed rice paper, shown with lace netting, crumpled paper scraps, a gel plate and a linocut portrait over the same crackled ground.

7. Feathers and Pampas Grass

Unlike hard objects, feathers and fluffy pampas grass are incredibly light and ethereal. They don't leave sharp, harsh lines, but rather soft, ghostly silhouettes that introduce a beautiful tenderness to the composition.

Two teal gel plates arranged with real feathers - one with dark feathers laid around pale carved linocut shapes, the other a soft ghost print left after the feathers lifted away.

8. Embroidery Floss and Twine

Much like gauze, threads are a wonderful tool. You can use thicker embroidery floss or coarse twine, and they can be utilized in two brilliant ways.

For texture, press them into the wet paint to leave behind their fine, subtle tracks.

As a mask for negative space, arrange them on the plate, lay your paper down, and pull the print. When you lift the threads, they leave clean silhouettes perfectly prepared for your next layer.

9. Textured Paper

The more textured the paper, the better it transfers its unique structure. The secret here is to use a minimal amount of paint on the gel plate. If your layer is too thick, the paint will flood the grooves of the paper, and you will lose those fine, subtle details.

10. Flowers and Plants

Of course, despite all these wonderful alternative materials, I will never stop talking about my love for real flowers and leaves on the gel plate. Botanical prints hold a very special place in my creative process. The delicate veins of a leaf or the intricate silhouette of a petal offer a timeless, organic contrast that beautifully complements the abstract, everyday textures mentioned above.

An open art journal spread printed in teal and green - one page holding a ghostly female figure, the other soft fern prints - laid on a black cloth among fresh flowers, a sunflower, dried grasses, a stencil and tubes of acrylic paint.

If you want to dive deeper into botanical printing and see how I use nature to create my favorite pieces, check out my dedicated post here.